Note to our readers : Adobe Flash Media Live Encoder is NO longer a recommended encoder at DaCast as it is being depreciated by Adobe. As a free encoding software alternative, we recommend OBS Studio and you can access how to use it here.
- Adobe Flash Media Live Encoder
- Adobe Media Encoder Free Download
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- Media Encoder For Live Streaming
Looking for streaming solutions for your broadcasts? Want to stream live video on your website? Looking to do professional or business-related live streams on a regular basis? Look no further! Encoding is one of the crucial steps in live streaming, and we’re here to help.
For the purposes of this discussion, I'm going to assume that you'll manually configure your settings. Adobe templates provide a good starting point. Start by choosing H.264 as your Format, then click the wrench next to the Format tab to open the Advanced Encoder Settings dialog shown in Figure 6 (below). Adobe defaults to the Baseline profile for all their templates, I would use that as well. For the world of Flash video, the year 2007 opened with a bang when Adobe released Flash Media Live Encoder. Adding Flash Media Live Encoder to Adobe's product line makes Flash video web broadcasts of live events even easier and of the highest supported quality. Nov 29, 2012 i have tried various settings but i seem to be having problems with either the file size being two big or the quality of my titles and logos in the video are grainy and low quality. Please advise as soon as possible!
In this post, I’ll show you how to encode for your live video streaming project.
What follows is a step-by-step guide on how to use Adobe Flash Media Live Encoder (FMLE) for live streaming with DaCast. Flash Media Live Encoder is a widely used software encoder, being the only free RTMP live encoder.
Let’s dive right into setting up your stream through your DaCast account!
1. Set up a live stream in your DaCast account.
If you’re just getting started with live streaming, read more here for a walkthrough on how to set up a live stream.
2. Download the XML profile in the Encoder Setup page.
Save the login and password from the XML profile. You will need to input the 6-digit login and password in FMLE. These are unique to each live channel and are not the same as your email login and password.
3. Download and install Adobe Flash Media Live Encoder.
You can download it directly from the DaCast page. If you want to know more about FMLE, you can visit the product page here.
4. Launch FMLE.
At the top of the program, click File then Open Profile. Use the XML profile you just downloaded. FMLE will, by default, choose an XML profile called ‘startup’ in a folder named ‘Flash Media Live Encoder X.X’ (X.X is the version number). This is not the correct XML profile and you need to make sure that you choose the XML profile you downloaded from DaCast.
Click OK when “Profile Validation” appears. Sometimes you may get a few error messages, but you just need to click OK each time. Use your XML login and password to connect.
The interface is divided into input and output areas. The input area is then divided by audio and video settings. You can change the settings according to your preference or you can also just use the presets.
5. Choose your video settings.
Once you connect your video device to FMLE, you can configure the settings. Check out this list of cameras that have been tried and tested to be compatible with FMLE.
In the video settings, you can change the format, frame rate, bitrates, input size, and output size.
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Format: FMLE can stream in both H.264 and VP6 formats. For DaCast, we recommend using H.264 format. If you plan to broadcast to mobile devices, using the H.264 format is necessary.
Frame Rate: The frame rate is the speed of recording and the speed of playback of your input device. You should choose a frame rate that matches your video camera. This is usually in the region of 30.00 fps.
Input Size: This is the size that FMLE will capture video from your input device. This should generally match the output size.
Bit Rate and Output Size: Your bit rate should be set on your level of available bandwidth. Your output size should match the size of the video player you’re encoding for.
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Here are some rough guidelines on output size and bit rates. You can also read more here for bit rates guidelines.
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Low: 480×270 at 400 kbps
Medium: 640×360 at 800-1200 kbps
High: 960×540 at 800-1500 kbps
HD: 1280×720 at 800-1500 kbps
6. Choose your audio settings.
The recommended audio format is AAC for optimal results.
Format: You can use either MP3 or AAC, but AAC is the preferred format for optimal streaming. MP3 may not work as well as AAC on mobile streaming, especially for iOS devices.
Channels: Stereo is usually the better choice. A mono channel uses only a single channel while stereo uses two or more audio channels. Stereo has almost completely replaced mono because of the increased sound quality.
Sample Rate: This is the number of audio samples carried per second. 44.10 kHz is the standard choice for audio sample rates.
Bit Rate: For higher quality broadcasts, you can start from 96 Kbps. For lower quality broadcasts, 48 Kbps or 64 Kbps should work fine.
7. Configure your output stream.
In order to stream to DaCast using FMLE, you need to check “Stream to Flash Media Server” on the output area. Your FMS URL will automatically be filled up when you log in with your XML profile.
You can also choose to ‘Save to File’ if you want a copy of your live broadcast. This will create a local copy you can save on your hard drive and use it to upload as a video-on-demand on your DaCast account.
8. Start your live broadcast!
Once you’ve configured all your encoding settings, you can now start your live broadcast.
Just click the green Start button, enter your XML login and password and you’re good to go!
Need a quick fire demonstration? Here is a quick gif showing steps 4, 7 and 8 which deal with opening the XML and launching the broadcast.
Conclusion
And there you have it. You should be streaming live on your own from your own account within the DaCast online video platform!
Did you find this walk-through helpful? Are there other tips or topics you’d like us to cover? Let us know you questions and feedback in the comment section below. We love to hear from our readers, and we’ll incorporate your ideas into revisions or future article posts. For regular tips on live streaming, and exclusive offers, you can also join our LinkedIn group.
Did you happen across this article, and you’re not yet streaming with DaCast? You can read more about our live streaming pricing plans to decide which sounds like the right fit for you. If you’re interested to try out our streaming platform for yourself, you can sign up for our 30-day free trial (no credit card required). Just click the button below to get started today!
H.264 is a next-generation protocol for high definition video compression. Most newer encoders today are compatible with this protocol and suitable for live streaming with compact files. In most cases, particularly if you want to stream the best, highest-quality video content, you will want to use this protocol. Any of the encoders and webcam broadcast software products recommended here before, including Wirecast, VidBlaster, and Adobe Flash Media Live Encoder, are compatible with H.264.
Encoders allow for a fairly wide range of settings for video resolution quality, frame rate, audio bitrate, and other variables, as well as protocol, bitrate encoding type, pixel aspect ratio, and so on. What are the best settings for live streaming?
As you might expect, there’s no single set of “best H.264 encoder settings for live streaming.” For practical purposes, your choices are limited not only by your own upload bandwidth, but also by the connection speed available to your viewers. But with that caveat in mind, we can still say something about what settings are likely to work best for your broadcast.
- High Speed Internet Rates in the United States
- Video Resolution Settings
- Bitrate
- Frame Rate
- Other Settings
High Speed Internet Rates in the United States
Average download speed in the United States varies widely by state, as the graphic on the linked site shows. Even allowing for that, individuals may have different download speeds available depending on what service they are using for internet connection. The speeds in the graphic are averages, and some people have considerably slower connections.
In addition, many people will be viewing your broadcast from free wi-fi connections or over 4G smart phones. Those are quite a bit slower than high-speed home connections even the slower states. Starbucks wi-fi is the fastest, but it’s only 9 Mbps, while other sites typically are slower. The latest 4G download speeds clock in at about 6.5 Mbps, while 3G phones are under 2 Mbps. That should be considered the slowest speed at which anyone is likely to be viewing your video broadcast.
It makes no sense to broadcast at settings and speeds that your viewers won’t be able to use. For that reason, you need to keep in mind where your viewers live and what kind of connection and hardware they’ll be using. On the other hand, if you know that your audience has the technical ability to handle HD quality broadcasting, it’s also a good idea to know what settings will optimize that experience for them.
Video Resolution Settings
The higher the resolution, the better quality viewing experience on any given platform. However, there’s a trade off, in that higher resolution also requires higher bandwidth to stream the video effectively.
Two common resolution settings for streaming are standard definition at 720 x 480 pixels (480p) and high definition at 1920 x 1080 pixels (1080p). In practice, this usually gets sampled down to a somewhat lower resolution, 640 x 360 pixels (360p) or smaller. Most resolutions are communicated based on their height, which is why its common to see HD TVs billed as 1080p.
Adobe Flash Media Live Encoder
It’s always necessary to consider data rate and resolution together, as the one limits the other. Streaming at a higher data rate allows higher resolution. But it’s also important to consider the download rate for viewers. For high definition streaming, all of your viewers should have an effective download rate of at least 5 Mbps. Higher bandwidth is a good idea. None of this is impossible with high-speed cable internet connections, which can run up to 100 Mbps, but this is divided among all users of any given account. Also, as noted above, some viewers may be trying to see your video on smart phones using 4G connections, which are a good deal slower, although with the latest 4G technology viewing HD video is feasible.
Most encoders allow settings of 1080p, 720p, 480p, 360p, and 240 pixels (height) and corresponding width. Setting this to the highest resolution that you are able to stream allows recipients to view the video in the best quality, but with higher bandwidth requirements for good, smooth reception without buffering.
It’s possible to broadcast simultaneously in SD and HD, but this requires sending two streams to your host service. It does not affect the download bandwidth requirement, but does require more upload speed than a single transmission.
Bitrate
The bitrate refers to the rate of data transmission. The main thing to keep in mind is that you need a higher bitrate setting to effectively broadcast at higher definition and frame rate. Transmitting HD video at a low bitrate is pointless, since the transmission speed won’t allow the high quality you’re looking for.
For bitrates you have to walk a tight rope between video quality and user experience.
You don’t have to sacrifice quality for user experience if you do multi-bitrates, though. For example you can do a high definition, 2MB per second, feed alongside a standard definition 500kbps feed. That way you can cater to both an optimal quality and optimal user experience, depending on their connection speed. However, please note that multi-bitrate streaming requires a very fast upload speed. You want to double the total bitrate you plan to stream at. So in the above scenario you’ll want around a 5MB per second upload speed. If you have a lower connection speed yourself, consider a good middle ground. For example, 650kbps can present adequate quality without too much disruption from those with a slower connection speed. General rule of thumb is to offer your bitrate at something lower than 1MB per second if you are only doing a single bitrate stream.
Frame Rate
The other main variable setting is frame rate. This is the number of “frames” — distinct images — that are transmitted each second. Video looks like a smooth moving image, but it’s actually a whole lot of still shots that are presented to your eyes at a rapid speed, so as to create the illusion of motion. Although the technology is digital rather than analog, the same principle applies here as with a roll of motion-picture film, which you can look at and see the individual photographs that are rapidly projected to create the illusion.
As with resolution, there’s a trade off between higher frame rates, which improve video quality, and higher bandwidth requirements. Most streaming video today has a frame rate of 24 frames per second (fps) or higher, with video running at 60 fps being at the very high end and rarely used. Dropping it much below 24 fps results in significant choppiness especially when fast motion is shown. That said, audiences are used to 30 fps, which is often called full frame. This is the general frame rate seen for a lot of televised content. Therefore 30 fps works as a good base, and if the motion does not look as smooth as desired, it can be slowly adjusted until the playback is optimal.
You will want to enable the rate auto adjust in order to have the best image even if there is a lot happening on the screen, this is also called “variable bit rate” or VBR. A related setting is keyframe frequency or keyframe interval. This should be equal to 2 or 3 seconds in every scenario.
Other Settings
Besides resolution and frame rate, your encoding software allows setting the streaming protocol, video codec (of which H.264 is an example), audio codec, and other parameters for how the video and audio content is encoded and broadcast. Most of these other settings don’t affect video quality or bandwidth requirements in the same way as resolution and frame rate. Instead, they should be set to whatever your streaming platform requires.
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For example, this page displays the encoder settings recommended for streaming through YouTube. Other services may have other requirements.
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Conclusion
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The settings on your encoder may seem a little daunting at first, but they shouldn’t be. There are two main things to remember. One is the trade-off between video quality (as determined by resolution and frame rate) and required bandwidth for both upload and download streaming. The other thing to keep in mind is your streaming platform and any required protocols for that. Once you have the settings figured out and tested, you can leave them along until something significant changes.
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